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Crate Curatorial Open

Paid curatorial open call in Margate, Kent

Deadline: 18th July
Application fee: None

CRATE Curatorial Open
CRATE is inviting proposals from artists and curators to research, test and create a new curatorial project using Crate’s project space for a four week period between 17th October and 14th November. All proposals must have a strong public outcome and include a Crate Conversations session.

A fee of £1000 will be awarded to the chosen applicant, there will be a production budget of £1,450, travel and accommodation will be funded up to £900. Crate will provide promotional and technical support.

Crate Project Space in Margate, an artist-led organisation supporting fine artists’ research and practice. Crate aims to embed research culture in arts practice creating activities that support critical discourse, artist development, building capacity, sustaining networks and strengthening local community relationships.

Crate provides affordable studios and project space for visual artists offering a high quality program to encourage research, experimentation and collaboration in a professional and supportive environment promoting critical debate, the exchange and testing of ideas without prescribed outcomes.

Set up in 2013 now with six full time studio members, two project spaces staging over 60 successful critically challenging projects, exhibitions and awards e.g Jeremy Deller and Turner Contemporary, Whitstable Biennale events and La Plate-Forme Dunkerque exchange programme. We host a broad range of practitioners at different levels of their careers and have a track record of achieving excellence and recognition in their particular practice fields gaining critical recognition, winning regular commissions in the public realm, museums and galleries, undertaking residencies, working with community groups acting locally, nationally and internationally partnering with UCA Canterbury, FRAC and Art Connexion, Lille amongst others.

A new curatorial group has been established that will be responsible for creating a new programme ensuring that the high quality output is maintained alongside opportunities for meaningful engagement offering welcoming and generous opportunities for public engagement demystifying the arts whilst remaining critically challenging. Crate is a prime example of the burgeoning creative art cluster in Margate increasing cultural capital and production.

Crate Conversations: a membership scheme for peer to peer dialogue between local Kent-based artists and curators. Individual artists, from the group, or that the group invites, will present and discuss their work in an informal setting.

Guidelines 

Solo exhibition by the applicant will not be considered as we would like to see connections being made with other artists; the exhibition can include work made by the applicant.

We would like to see a strong research question or thematic idea

There must be a public outcome, ideally an exhibition with accompanying events

Applications by collectives will be considered butthe Artist’s fee is fixed and would have to be split.

You must be present to install and deinstall the exhibition as well as run any events

Things to consider:

What will the public outcome be and what will be achieved by this?

Who is your audience and how will you engage with them?

How will your process be documented?

An estimated budget or idea of where the production budget will be spent

How this opportunity will benefit your practice

What relevant experience you have had that will help you deliver the project

Please send a CV (1 side of A4 max), an introduction to your curatorial practice/approach and a proposal outlining your program and its intended outcomes (2 sides of A4 plus images / supporting material).

Crate contact info:

lizzy@cratespace.co.uk

www.cratespace.co.uk

 

Call for Artists – Artrooms Fair London - Deadline Extended

Deadline 31st July

Rooms & Video Application
Application fee £20

Single work Application
Application Fee £50

Call for Artists – Artrooms Fair London

Find to Apply https://art-rooms.org/how-to-apply/

Call for Artists – Artrooms Fair London - Deadline Extended

Deadline to apply for Artrooms Fair London 2019 edition now extended until the 31st July. We listened to requests from artists around the world and decided to give you all more time and more chances to participate in our Calls For Artists.
The Fair will run from the 11th to the 13th January 2019 at Meliã White House Hotel, Albany St, London NW1 3UP (Regent’s Park, London).

We are now calling for independent artists from all over the world, from all different backgrounds and media.
Artists will exhibit in hotel rooms to be transformed in their own creative and intimate studios. It is a great opportunity to share your vision, meet collectors, curators, and to be scouted by galleries.
Artrooms is the first international contemporary art fair offering free exhibition spaces to independent artists, innovating the way artists and buyers meet.

The Single Work Application consists in submitting 1 application for only 1 work and, if selected, artists will not be required to attend the fair. It is a great opportunity for all artists who express their interest in Artrooms Fair but experience difficulties in covering transport and accommodation expenses on top of the shipment and/or getting a travel VISA, and considering also the emerging artists who haven’t got a wide portfolio to show to the public yet.

What you need to know:

New deadline is 31st July 2018.

It applies for both Single Artwork Application and Rooms & Video Application.

Public Votes will be taken into account until September 2018.

This is your last chance, so don’t wait any more!

Selected artists will be announced in September 2018.

Find to Apply https://art-rooms.org/how-to-apply/

Deadline 31st July

Rooms & Video Application
Application fee £20

Single work Application
Application Fee £50

 

$500 USD Grant for Visual Artists

Available through ArtistGrant.org
Deadline: 15 July 2018
Application fee: $25 USD

$500 USD Grant for Visual Artists

Artist Grant provides a one-time $500 USD grant to one visual artist each grant cycle. The deadline for the current grant cycle is July 15, 2018.

There is an application fee of $25 USD that defrays the costs of administering this grant in order to continue to support and fund artists' important work.

To apply, email the following to submit@artistgrant.org: A link to your website OR 3-5 digital files of your work AND a CV, resume, or brief bio that includes your name. The application fee is payable at https://artistgrant.org/apply/

For questions, email info@artistgrant.org

Link: https://artistgrant.org/

 

The Ghost Tide

Artist submissions sought for The Ghost Tide - a group exhibition at Thames-Side Studios London, curated by Monika Bobinska and Sarah Sparkes

The show evokes ghosts as a migratory tide washed up along the shore of the Thames, historical and cultural baggage in tow. Runs 20 October - 4 November 2018.

Deadline : 29 June 2018
Application fee: none

Ghost-Tide

 

Artist submissions sought for The Ghost Tide - a group exhibition at Thames-Side Studios London, curated by Monika Bobinska and Sarah Sparkes. The show evokes ghosts as a migratory tide washed up along the shore of the Thames, historical and cultural baggage in tow. Runs 20 October - 4 November 2018.

The Ghost Tide - a group exhibition curated by Monika Bobinska and Sarah Sparkes - evokes the migratory tide of ghosts washed up along the shore of the Thames, their historical baggage in tow.

Ghosts exist as an idea – ghost, spirit or immaterial part of a deceased person - across cultures all around the world and throughout recorded history.

The Ghost Tide invites artists to re-imagine the ghost as a cultural phenomenon, presenting works which explore ghosts from diverse organised and vernacular belief systems.

The show includes sculpture, installation, film, sound, performance and wall based works, as well as a number of public events.

The Ghost Tide’s location on the Thames, in a fast-changing area of the city, alludes to the presence of artists in this part of London, as a migratory tide of creative flotsam and jetsam which ebbs and flows as the city gentrifies and develops.

We are interested in works of a material nature – sculpture, installation, wall based works etc, though we do have room for some audio visual pieces.

We welcome artists response to the following, but are also open to other interpretations:

  • How the idea and aesthetics of the ghost or spirit manifests in different cultures
  • The integration of ghost cultures across countries both in belief systems, vernacular beliefs and popular culture
  • Ghosts within cultural groups that have been dispossessed, repressed and marginalised
  • Ghosts in border regions, edge-lands, margins
  • Ghosts and water, maritime histories, folklore, ghost stories
  • Channelling ghosts through technological and physiological means
  • New visualisations of contemporary international ghosts
  • Works which have a direct reference to the locale of the gallery – the river Thames being a trade and migratory route into the city/ country. Today, London city airport is located just across the river. The Thames barrier is close by, built to hold back the flood tide. Warehouses once containing manufacturing industry are now home to a nebulous, temporary and migratory group – artists.

About the Curators

Sarah Sparkes is an artist curator. She leads the visual arts and creative research project GHost, curating an on-going programme of exhibitions, performances and interdisciplinary seminars interrogating the idea of the ghost. GHost events have been supported by Folkestone Biennial, University of the Arts, University of London, FACT (Foundation for Art and Creative Technology), NTMoFA (National Taiwan Museum of Fine Arts), Inspiral London and Arts Council of England. Sparkes has published chapters on the GHost project and has lectured extensively on this subject. Her work The GHost Formula, 2016, commissioned by FACT, recently toured to NTMoFA as part of the exhibition No Such Thing As Gravity curated by Rob la Frenais. She is currently undertaking an artist residency, together with Ian Thompson, at Allenheads Contemporary Arts In Northumberland.

https://www.ghosthostings.co.uk/

http://www.theghostportal.co.uk/

Monika Bobinska

Monika Bobinska is the director of CANAL, which organizes exhibitions and art projects in a variety of settings. She is the founder of the North Devon Artist Residency, launching in 2018.

www.canalprojects.info


Link: https://www.curatorspace.com/opportunities/detail/the-ghost-tide/2337

 

OPEN CALL FOR APPLICATIONS - IN SITU ART FAIR

Call for artists: visual arts, installation, performance, video
Deadline // 15 July, 2018
Application fee // Variable; all information is available upon registration and access to the online application system

 

Open-call_2018

In Situ Art Fair singles out by being the leading Macedonian event to showcase and present a 360° array of novelties in art, design, architecture and the creative industries by fusing the distinctive capacities of the local milieu with those of the global scene. Today’s In Situ Art Fair is the result of what used to be the International Fair of Contemporary Art - Paratissima Skopje throughout the past four years (2014-2017).

We have hosted over 450 independent authors originating from 39 countries and have achieved a fast-growing audience with the purpose of providing a backbone for the growth and development of contemporary and (un)conventional formats of expression, seeking to be both inclusive in our approach and exclusive in our output.

In Situ Art Fair will take place from 13 – 15 of September at the Youth Cultural Center, Skopje – Macedonia.

The call for applications is open from 15th of May to 15th July. The call is open for everyone from everywhere.

There are no pre-qualifications in terms of gender, nationality, geo-location, academic background or field of work.

To register and apply or access additional information about In Situ Art Fair please refer to our media channels:

Official website: www.insitu.mk

Link to the application: https://insitu.mk/open-call/

Facebook: https://www.facebook.com/insituartfair/

Youtube: https://www.youtube.com/channel/UCs7WQZ3rixqabQZ9A_B3L7w

Instagram: https://www.instagram.com/in_situ_art_fair/

http://insitu.mk

 

Summer Artist Residency, Ontario, Canada

Spark Box Studio
Deadline: ongoing
Application fee: $15.00

Sparkbox-studio

Spark Box Studio’s Artist Residency Program provides live/work space to accommodate both emerging and professional printmakers, photographers, painters, illustrators and writers. Artists-in-residence have access to our professional studio and resources. The Residency Program affords artists the space and time to support the advancement of their careers and to strengthen their practice. Our program also offers a variety of career building opportunities for artists including our Emerging Artist Guide, opportunities for business workshops with local professionals and consultations with local artists and curators.

Artists-in-residence stay with us, Chrissy and Kyle, in a charming century home located just outside the town of Picton in Prince Edward County, Ontario, Canada. Interested artists may apply to live and work at Spark Box for a duration of one weekend to 2 months.

Spark Box Studio can facilitate up to three residents at any one time. Residents receive a bedroom and a dedicated semi-private studio space.

At Spark Box Studio we also offer 7 awarded residency programs each year. To find out more please visit our website.

Link: http://sparkboxstudio.com/residency/application/

 

Energia Akatemia - International Performance Art Workshop

///OPEN CALL///
International Performance Art Workshop
Body - Environment - Sound
July 18th-22nd this summer 2018 in Finland
Deadline: 30th June 2018 deadline for applications
Application fee: None

Energia-Akatemia

 

International Performance Art Workshop
Body - Environment - Sound
July 18th-22nd this summer 2018!

///OPEN CALL///

The workshop is organized and facilitated by Energia Akatemia in collaboration with Art Center Antares. Location is Sippola, Finland (200 km east from Helsinki). Duration is 5 days.

About the program: During the workshop, we will have lectures and hands on explorations. We will work in the facilities of Antares and in the selected locations outdoors. Some special places to be explored in the area are; Pitkäkoski (river) Hamina, Repovesi National Park, Sippola landscape. We will work with methods such as active listening, sound walks, field recordings, embodiment, vocal and physical storytelling and drifting in spaces.

Public event, open session will be organized 22.7.2018 in the Art Center Antares yard 2pm.
Lecturers and tutors confirmed:

Visual artist Antti Ahonen, Helsinki, Finland

Wellness educator, yoga instructor Ammeri Kankaisto, Joensuu, Finland

Environmental and performance artist MA, pedagogist Meri Hietala, Sippola, Finland

Writer-Curator Irena Mutt, Barcelona, Spain

Media artist and Design educator MA Ranjit Menon, Helsinki, Finland

Local guides from Antares, Sculptor Tiiu Anttinen & Comic artist Pasi Rantala, Sippola, Finland

The workshop price is 200 euros, including shared accommodation 4 nights, food (breakfast, lunch, dinner), lectures, evening programs (such as sauna) and transportation for group excursions.

APPLY NOW!
Application period is 1.5.2018-30.6.2018. To apply, please write motivation letter, include your CV, and website/photos of your previous artwork.
Email with title:
“Body-Environment-Sound Antares 2018” to
info@energiaakatemia.com

Energia Akatemia www.energiaakatemia.com
Art Center Antares www.galleriaantares.fi

www.energiaakatemia.com

 

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Submission Friday:

Fernando Socorro

Somewhere IV: Chinatown. San Francisco, 02-25-18.

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Submission Friday:

By Celeste Ortiz

Peach, 2017

website tumblr instagram 

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Submission Friday:

Craig Stewart, Perhaps Not What You Would Expect from a Body, Steel, wood, fabric, speakers, casters, 2018

Website: craigstewartstudio.com

Instagram: @craigorystewart

4428 91aa 500

Submission Friday:

Debora Barnaba, body

4439 a572 500

Submission Friday:

Nurielle Stern. Things are not like they used to be. Porcelain, museum gel. 2016

4462 bf40 500

Submission Friday:

Yuko Kyutoku

“Hand-Blooming”

Mixed media on paper, Spring 2017

4485 a50e 500

Submission Friday:

Darla McKenna, “Algiers Series #4”, acrylic on paper collage, 10”x12.5”, 2018 

4501 818b 500

Submission Friday:

Koleena Guzman, ‘Roommate #8’

March 28, 2017

Photography Instagram: @koleeeena

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Submission Friday:

Christina Barrera, There Will Never be Any More Perfection than There is Now 

oil, cut inkjet print, on inkjet print on panel 
36" x 48" 
2017

4525 b010 500

Submission Friday:

Portrait of Audrey 

Styling by Gary Febus
by Anastasiia Sapon

http://www.anastasiiasapon.com/

https://www.instagram.com/anastasiia_v_s/

http://anastasiiasapon.tumblr.com/

Gyeonggi International Ceramic Biennale

Major Changes Ahead for Gyeonggi International Ceramic Biennale (GICB)!

Gyeonggi International Ceramic Biennale

The Gyeonggi International Ceramic Biennale (GICB), which celebrates its tenth edition in 2019, is expected to undergo significant changes, especially in regard to its “international competition”. The GICB aims to establish a platform dedicated to promoting communication and exchanges between artists and the public. The upcoming biennale will present diverse programs such as the academic symposium and workshop in a comprehensive, multitiered format within the framework of the international competition, as opposed to the past in which the biennale hosted programs individually.

The GICB International Competition 2019 – as an exhibition is a gateway for newly emerging artists to acquire a presence in the global art scene – will offer diversified support programs that will help artists expand their world view. It will continue to retain its tradition as a “competition,” though with improvements in institutional arrangements including application conditions, exhibition format, screening criteria, and support programs, yet simultaneously aim to present a new paradigm for art events, as an “international exhibition” leading the trends in ceramics and an “art forum” bringing together workshops, performances, and seminars.

GICB International Competition Exhibition

• Exhibition Period : August 2 – November 10, 2019 (tentative)
• Exhibition Place : 2, 3 Gallery, Icheon World Ceramic Center
• Number of Participating Artists
- Online Exhibition : No more than 300 artists who have been selected from the 1st round of portfolio screening
- Offline Exhibition : No more than 40 artists who have been selected from the 2nd round of portfolio screening

Total Cash Prize

KRW100,000,000(approx 93,222.00USD) for seven (7) main nominees

Grand Prize(1)

KRW50,000,000 (approx 46,620.00USD)
(includes purchase price) +
GICB2021 Solo Exhibition

Excellence Prize(4)

Ceramics for Use: 2
KRW10,000,000 (approx 9,324.00USD)
(includes purchase price)

Ceramics as Expression: 2
KRW10,000,000 (approx 9,324.00USD)
(includes purchase price)

Special Award(2)

Ceramics for Use: 1
KRW5,000,000
(approx 4,662.00USD)

Ceramics as Expression: 1
KRW5,000,000 (approx 4,662.00USD)

The prize money can be claimed in the currency of choice of the winner, with the conversion being made on the basis of the closing exchange rate of the day the award is granted. The prize winners of Korean nationality or those who hold the nationality of a country with which Korea does not have an established tax treaty, will receive the amount remaining after tax has been deducted.
The cash prizes for the Grand Prize and Excellence Prize include the purchase value, and therefore the prize-winning works become the property of KOCEF.
The Grand Prize winner will be invited to hold a solo exhibition during GICB 2021, and the exhibition will be funded by KOCEF up to an amount of 30 million KRW.
All artists participating in the offline exhibition and a partial number of artists participating in the online exhibition will be invited to participate in the inauguration of GICB 2019, workshops, symposiums, and local networking programs. In the case of artist groups, only one (1) representing individual will be invited.
KOCEF reserves the right to exhibit, photograph, record, screen, and publish (i.e. catalogue) prize-winning works.
Details of the awards above are subject to change at any time at the discretion of the KOCEF and Jury.

http://ic.gicb.kr/eng/main/index_2018.asp

 

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Submission Friday: 

Lauren Cline
“Glass Heart”
oil and acrylic on wood
2017

0396 5535 500

Submission Friday:

Rossana Taormina, un'estate - 2018

assemblage: acrylic on found photograph, anti-mosquito plates used in June, July and August 2013

http://rossanataormina.tumblr.com/

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